Merewether Surfboard Club, Portraits, 2014.

These portraits are being made to celebrate the club’s 50th anniversary. It is hoped that all members will be photographed in time for the June, 2014 celebrations.

Merewether Surfboard Club - Portraits - Images by Paul Foley

Surfing is inextricably linked to photography. With this series I have referenced both traditional silver based photography, originally made on glass or tin plates, as well as some of the contemporary instagram looks that pay homage to these authentic processes.

looking away...

I made two good pictures today. Actually, it's more accurate to say that I completed them today. I coaxed the light onto the sensor a few days ago but today I finished the pictures.  Just as I once messed around in the darkroom I now mess around in the Lightroom I just make sure to have plenty of information in the raw file so I can push the pixels around without damaging them.

This was a cloudy day with some soft rain in the distance. Very flat light and perfect for the kind of picture making that I really enjoy - it begins in the camera but comes to life on the monitor.

As Ansel Adams said:

'The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.'

Get in touch if you have any questions or comments. 

5th Avenue & W53rd Street, New York City

October 19, 2013

I made these pictures in the 2 minutes and 26 seconds after 3.38pm. I had been walking along W53rd Street when I noticed how the sun, shining down 5th Avenue, was being bounced around by the high-rises and shop fronts. It was not the first time I had found backlighting with beautiful front fill light on the streets of New York City.

5th Avenue & W 53rd Street, NYC - Images by Paul Foley

Street photography requires a photographer to be ready for the moment. I like to shoot on either manual or shutter priority so I make sure to adjust exposure whenever I move into different light. The first few frames were shot at a high shutter speed (1/2000th of a second) which narrowed the depth of field. I quickly changed down to 1/250th to increase the range of focus. I set the exposure compensation to -2/3rd of a stop and framed the picture to include the lit part of the street corner while levelling the camera as best as I could. I wanted to avoid creating distracting convergence angles on the buildings, which happens when a camera is tilted too far, as well as to give a sense of the streets of New York.

I photographed during a single lights change, standing still, as shoppers, tourists and business people walked past me heading downtown. I didn’t really concentrate on any particular face - it was all happening so quickly.I did notice, however, that some people were looking down 53rd with very interesting expressions as they came up to me. I wondered what it was they were looking at but knew if I turned to see I would miss shots. The light could disappear at any moment so I kept shooting before turning to cross the street just as the red hand flashed. I never did work out what they had been looking at.I often walk the street looking for pictures with my large professional camera - the Canon 1Dx. I’ve tried compact cameras but have never been happy with the images made with the smaller sensors. I can’t afford a Leica and, while I am hearing good things about Fuji cameras, at this stage I am sticking with the full frame sensor.

In the somewhat vain hope that I can make the 1Dx more discreet I use Canon’s very compact 40mm ‘pancake’ lens to lessen the apparent bulk of the camera. This is not always a success as the tiny lens looks so out of scale on the body it often causes photography enthusiasts to ask me about it. I’m always happy to talk photography and very happy to rave about this small, simple lens. It is one of the cheapest that Canon manufacture and, from my testing and use, one of the sharpest.